Art Comms

If there was a service out there for the super rich, a way to hire a secret army of people (clowns) to create situations… how might it be done? Related question… why do so many billionaires spend tens and sometimes hundreds of millions of dollars on so-called “art”? Are they really buying a single scrap of paper? Or given that it’s often the entire yearly GDP of a country, is something else being bought with it? Let’s get into it.

Art Comms
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33 And 666

First half is 666 comms, 2nd half is 33 comms. The short version is 666 comms are always an evil symbolism and have many variations in how they can appear, while 33 has less variations in use and isn’t inherently good or evil. It implies being comms aware. and an intention to build ops with others of the same. I caution against trying too hard to see number comms. They are almost always used as extra details built into other comms, and even then they aren’t the most common types. It’s rare they need to give affiliation as it’s usually self evident in the comms world. Anyway, even so they are important ones to understand for comms comprehension.

33 And 666

Titanic

The simple version most anons know is the taking out of Titanic was for the Federal Reserve. While this is correct, there’s a lot more to it. The people and ops that made it a reality, from the ones working on the ship to the people above them. How they scouted out the Iceberg, how they weakened the ship first, how they got Astor to the ship, how they covered it up, and even some thoughts on why they decided to make the film “Titanic” so big. Also I cover a particularly curious op that happened on the 100th anniversary of Titanic that I only became aware of yesterday. Turns out they tried to do it again, it failed, but I decoded the attempt.

Titanic